‘Blade Runner,’ ‘A Different World,’ and More Shows to Watch This Fall - The New York Times
A New York Times guide recommending television shows and films to watch during the fall season.
Tagged movies · everything
A New York Times guide recommending television shows and films to watch during the fall season.
An article about Kirk Douglas's favorite Western film from 1962 that he considered his best work in the genre.
A curated list of critically acclaimed but overlooked films from the 1980s worth rediscovering.
This New York Times year-end list by chief critic Manohla Dargis opens by arguing that the mainstream conversation about a dying movie industry overlooks the far wider world of worthwhile films beyond big American studio releases. It then offers a ranked top 10, beginning with Payal Kapadia's "All We Imagine as Light," a tender drama about two nurses and a cook in Mumbai. The page is mostly cluttered with interface text (a "watch list" widget and access-verification notices), so the critic's framing and the opening pick are the parts worth keeping.
A fall movie preview that picks 50 titles from Labor Day to Christmas, framed as a way through awards season's glut of prestige drama. It mixes the likely Oscar contenders (Cannes and Sundance favorites like *Fjord*, *Josephine*, and Hamaguchi's *All of a Sudden*) with franchise events (*Avengers: Doomsday* and *Dune: Part Three* opening the same day), odd pairings like Fincher directing a Tarantino-written Cliff Booth sequel, and a run of biopics and true-story dramas, including the *To Catch a Predator* origin film *Primetime*. Each entry gets a blunt blurb with cast, director pedigree, and the writers' enthusiasm or skepticism, so it works as a dated checklist of what to watch for rather than an argument.
A personal, nostalgia-driven countdown of ten underappreciated '90s films—including "Practical Magic," "My Girl," "Drop Dead Fred," "Sister Act," and "The Brady Bunch Movie"—that the author argues were dismissed or flopped on release but proved culturally ahead of their time. It ties the discussion to current 2026 revival news like the "Practical Magic" sequel and re-releases, framing the piece as both a retrospective and a defense of these films' lasting emotional resonance. Worth keeping as a quick reference list of cult '90s picks with brief justifications for each.
Paul Greengrass's historical drama *The Uprising*, about the 1381 Peasants' Revolt starring Andrew Garfield, has suddenly pivoted its marketing to present the film as a Robin Hood origin story just weeks before release, with Garfield's previously unnamed "Ploughman" character now being positioned as the legendary outlaw. The rebranding is puzzling given that the film was developed for years as a straightforward historical epic, though Greengrass has hinted at connections to early Robin Hood literary sources, while the UK distributor flatly denies any Robin Hood connection. The article notes the odd timing and contradiction, comparing it to other failed recent Robin Hood films and speculating whether this was secretly a Robin Hood movie all along.
Ridley Scott's adaptation of Peter Heller's post-apocalyptic novel follows a pilot named Hig who embarks on a cross-country journey after losing his dog, grappling with fundamental questions about whether to help strangers or prioritize survival through isolation. The film explores this moral tension through its characters—Hig advocates for human connection and community while his companions embrace self-preservation and suspicion—but undermines its own themes through uneven execution, cheap special effects, and a truncated final act. Scott's direction feels disengaged, Jacob Elordi's performance is flat and emotionally withdrawn, and the film lapses into troubling stereotypes when depicting marauders, making it one of Scott's most disappointing misfires.
Catch up on ‘Pride and Prejudice,’ ‘East of Eden,’ and more before adaptations hit the screen.
A rundown of eight time-loop films that twist the familiar Groundhog Day formula in distinct ways: The Endless traps each character in their own separate, coexisting loop as a metaphor for nostalgia's pull; Palm Springs and Happy Death Day complicate the trope with a community of loopers and a mortal, unmasking-the-killer stakes clock, respectively; Donnie Darko and The Matrix Reloaded obscure or truncate the loop's mechanics entirely; and Timecrimes, Primer, and Run Lola Run push the concept toward slasher paradox, hard-science realism, and kinetic videogame-like momentum. Worth keeping as a quick reference for how differently the subgenre can handle repetition, memory, and stakes beyond the standard "same day, personal growth" template.
A curated list of thirty overlooked 1980s films argues that the decade's real richness lies outside its blockbuster-and-sequel reputation, in mid-budget, adult-oriented work that resisted mainstream form. Titles like Thief, Cutter's Way, The Stunt Man, Star 80, and Secret Honor are highlighted for their tonal instability, moral ambiguity, and formal experimentation—qualities the piece frames as a shared undercurrent of stylistic rebellion rather than a unified movement. It's essentially a viewing list paired with a critical case for revisiting the decade's neglected margins rather than its canonized classics.
A roundup of five overlooked 1970s Westerns worth revisiting: Charlton Heston facing a vengeful outlaw in "The Last Hard Men," Robert Aldrich's bleak Vietnam-allegory "Ulzana's Raid," Charles Bronson's train-set whodunit "Breakheart Pass," Franco Nero's spaghetti-Western revenge tale "Keoma," and Lee Van Cleef's underseen "The Grand Duel." The piece argues that the genre's '70s output grew more cynical and violent than classic Hollywood oaters, deliberately puncturing frontier myths rather than romanticizing them, and that these particular titles got lost in the shadow of New Hollywood landmarks like "Jaws" and "The Godfather" despite still holding up. Worth keeping as a quick watchlist of underrated genre gems with a shared skeptical streak toward the "Old West as noble adventure" narrative.
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This piece identifies six classic films that have faded from modern audiences' collective memory despite their quality: The Iron Giant, From Russia With Love, Frantic, Capricorn One, Sorcerer, and Once Upon a Time in the West. For each film, the article briefly describes the plot and explains the specific circumstances—box office failure, overshadowing by contemporaries, or shifting genre popularity—that caused it to be overlooked or forgotten. The underlying argument is that contemporary moviegoers should seek out these forgotten masterpieces as a corrective to nostalgia for older cinema and as alternatives to endlessly debating the same canonical favorites.
This essay surveys 2025 films that tried to grapple with the current political climate, arguing that success depends on commitment rather than neutrality, nostalgia, or deliberate ambiguity. It sorts its examples into those that failed through vagueness or smug defeatism (Ella McCay, Eddington, Bugonia, Good Fortune) and those that succeeded through clear stances and emotional honesty (Sinners, The Secret Agent, It Was Just an Accident). Its closing claim is that art now need not change the world but must help audiences make sense of it.
"Significant Other" is a sci-fi horror hybrid about a couple whose backpacking trip in Oregon goes catastrophically wrong after a mysterious object falls from the sky, generating dread through atmospheric filmmaking rather than jump scares while exploring themes of intimacy and deception. "Infinity Pool" follows a blocked writer on vacation who escapes execution by having a clone created and executed instead, then descends into hedonistic depravity with wealthy tourists who exploit the loophole, satirizing how the rich can literally buy their way out of consequences. "Costa Brava, Lebanon" depicts a self-sufficient family's isolation shattered when a landfill is planned next to their compound, using their fragmentation as a metaphor for environmental collapse and societal breakdown.
"Dhamaka" is a Mumbai-set action thriller starring Kartik Aaryan as a washed-up radio newscaster who receives a bomb threat targeting the city's major bridge and sees it as his chance to reclaim fame. Directed by Ram Madhvani and adapted from the South Korean film "The Terror Live," the movie functions as a morality tale examining how Arjun's ambition leads him to exploit a genuine crisis for career advancement, while his cutthroat boss exploits it for ratings. The film maintains relentless pacing despite character depth, delivering the bomb-threat intensity of "Speed" filtered through the media-ethics critique of "Network."
This article traces the evolution of action cinema from its roots in early silent films to the present day, arguing that action emerged as its own standalone genre rather than merely serving as set dressing for Westerns, spy thrillers, and sci-fi adventures. The piece presents thirty essential action films spanning from 1953 to 2018, organized chronologically, with the caveat that it focuses primarily on movies made after 1970 when action truly crystallized as a primary genre, while briefly acknowledging influential precursors like *The Wages of Fear* and *Seven Samurai*. Each entry describes how the film either pioneered specific action techniques, influenced subsequent filmmakers, or achieved a perfect balance between visceral spectacle and emotional or character-driven storytelling that defines great action cinema.
This article is a comprehensive guide to Bong Joon Ho's favorite films spanning from 1936 to 2021, compiled from interviews, awards ballots, and public statements the director has made throughout his career. The selections reveal Bong's cinematic influences and aesthetic priorities, ranging from canonical works by Hitchcock, Welles, and Bergman to contemporary pieces by emerging filmmakers, with particular emphasis on Asian cinema and socially conscious storytelling. The piece demonstrates how Bong uses film curation as a form of criticism and cultural advocacy, repeatedly championing underrepresented directors and highlighting how specific films inspired his own directorial choices and thematic preoccupations.
This piece catalogs 31 films celebrated for their plot twists, explaining each film's setup and the surprise revelation that distinguishes it. The selections span multiple genres and decades, from classics like *Psycho* and *Planet of the Apes* to contemporary films like *Get Out*, demonstrating how effective twists can fundamentally recontextualize everything that came before them. The article serves as both a reference guide for twist enthusiasts and a spoiler-filled exploration of what makes certain narrative reversals so memorable and impactful.