John Cox

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I made a super cool addition to Athenana this week. When you save one of the man...

I made a super cool addition to Athenana this week. When you save one of the many lists on the internet, like "Top 10 Shows" of all time, Athena will grab that list and allow you to save the individual show later to watch. Same with books / movies / podcasts.

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I also built in the recommendation engine to find shows / books / movies / podcasts to look at the likes and dislikes to find new things to watch. It's very similar to the music recommendation engine that was built last week. Next up is to find where the show is streaming, or whether you can watch it for free online as well.

I have 22 years of notes, pictures, blog entries and bookmarks that I have imported into the system which is about 5000 notes / links to build my own personal taste engine and find things I have missed.

Fun stuff:)

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Interesting

5 best new movies to watch this week on Netflix, Prime Video, and more (November 2-8)

A How-To Geek roundup of five movies hitting U.S. streaming the week of Nov. 2, 2026, ranked with a historical action film on top. The Uprising (Paul Greengrass, Andrew Garfield as a fictional leader of the 1381 Peasants' Revolt) comes to Peacock Nov. 6 after a weak box office run the writer blames partly on muddled Robin Hood marketing. The rest of the list is Netflix's Possible Love (Lee Chang-dong's Venice Grand Jury Prize winner and South Korea's Oscar submission, Nov. 6) as a possible awards dark horse, Super Troopers 3 on Hulu (Nov. 5), Netflix's dog-and-Christmas family film A Dog's Perfect Christmas (Nov. 4), and the Prime Video documentary Terrell & T.O. (Nov. 5) about Terrell Owens.

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Director James McTeigue on How the V for Vendetta Mask Became a Global Symbol of Protest

Plays from YouTube. Nothing is loaded from Google until you press play.

In a interview timed to the film's 20th-anniversary re-release, director James McTeigue explains how the Guy Fawkes mask was made to work on screen (lighting tests, glossy versus matte finishes, and Hugo Weaving acting through voice and body with no visible face) and why it spread beyond the movie into the Arab Spring, Occupy, Hong Kong, and anti-Scientology protests. He credits the film's box-office reach with turning Lloyd's comic design into a symbol of collective anonymity, and argues it was an "anti-superhero" film ahead of the genre's saturation. The piece also notes the irony that Warner Bros., and now Skydance, profits from a protest emblem.

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The Bleak Sci-Fi Thriller That Makes Mad Max Look Cheerful | GIANT FREAKIN ROBOT

This is a rave review of David Michôd's 2014 film The Rover, which follows a near-silent Guy Pearce across an Australian frontier ten years after economic collapse as he hunts the thieves who stole his car, with Robert Pattinson as the wounded, talkative brother of one of them. The reviewer argues it's a slow-burn, tension-driven drama rather than an action spectacle, praising both leads, the atmospheric score, and small touches of realism like the characters' ruined teeth. He also notes Michôd's framing of the collapse as plausibly rooted in real economic forces and the story as a fable about human connection, and he defends the divisive ending as perfect, ranking the film among his favorites of 2014.

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Why Soylent Green Got 2022 So Wrong

A critic of science-and-society storytelling revisits Soylent Green on the 50th anniversary of its titular "future" year and argues the film's heavy-handed, dogmatic dystopianism actually undercuts its own message about overpopulation, corporate greed, and environmental collapse. He contrasts it unfavorably with Harry Harrison's more nuanced source novel Make Room! Make Room!, contending that preachy apocalyptic certainty tends to entrench existing beliefs rather than change minds, and champions ambiguous, conversation-opening sci-fi (Children of Men, Ex Machina) as a better model for grappling with real present-day crises like climate change and AI.

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5 More Great Recent Sci-Fi Movies Nobody Talks About

Ranking of five underappreciated modern sci-fi films worth revisiting: Life, Colossal, James vs. His Future Self, Totally Killer, and The Endless, topping the list. It argues these titles deserve far more recognition than they get, having been overshadowed either by genre oversaturation, limited studio backing, or straight-to-streaming releases rather than any lack of quality. Each entry gets a short case for why it excels—from Life's effective horror execution to Colossal's blend of kaiju spectacle and personal drama to The Endless's unsettling low-budget craft—making the piece a handy watchlist for genre fans wanting picks beyond the usual 80s/90s nostalgia.

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3 Forgotten ‘70s Movies That Actually Shaped Their Genres (Including 2 Cult Classics From Beloved Directors) - ComicBook.com

This ComicBook.com list makes the case that three underrated 1970s films, Spielberg's Duel, Carpenter's Assault on Precinct 13, and Saul Bass's Phase IV, shaped later genres (road-thriller horror, tense siege action-horror, and eco-horror creature features) despite being overlooked today. The piece is useful mainly as a catalogue of how these movies' tropes and techniques quietly spread into the work of later filmmakers.

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The Aristocats (1970)

★★ · rewatch · watched 24 Jan 2021

The Aristocats was the final movie that Walt Disney greenlit prior to his passing. It has the same problem as most of the animated Disney movies from this era, it lacked a great story and memorable characters. Like many of the Disney movies of the time, it also lacked a bit of cultural sensitivity that makes it a bit of a tough watch 50 years later. While it isn’t Song of the South bad, it does have some moments that don’t play well today.

The movie clocks in at 1:18 minutes according to IMDB, and I have to say I felt every minute of this movie. The animation was OK, and there were a couple of scenes that were better than others but overall, it was generally bland. I do appreciate the Parisian styles of the backgrounds, and those did add to the mood. “Everyone Wants to Be a Cat” was the catchy song from the movie which is replaying through my brain as I write.

I wish there was more to this movie. I probably watched it in my youth, but I honestly don’t remember anything about it. I remember many cartoons from that time, but not a single scene from this watch was familiar. My guess is if I watched it again in a year from now, I’d wouldn’t remember much more than the train scene. It was lazy animation, lazy writing, and lazy performances.

There was a moment on the train tracks where the animation made the sparks from the train to look like blood. It was a little bit disturbing when taken out of context, but I thought to myself, “at least this is getting interesting”.

Obviously, there are some less than sensitive moments in the movie. That said, it seemed like they went out of the way to get a dig in for every culture. They represented most in the “Everyone Wants to be a Cat” montage, but a couple of scenes later there was a “WigWam” reference out of the blue. What was that about?

It was pointed out from the person I watched with that the mouse from this movie looks exactly like the mouse in “The Rescuers”. I know it isn’t a sequel, but Disney really didn’t put forth much of an effort to be creative for a while. I have the greatest respect for the work it takes for a release, but… oof.

Your review on Letterboxd: https://boxd.it/1CdbbZ

The Aristocats is a 1970 Disney animated musical about Madame Bonfamille, who leaves her fortune to her cats, and the scheming butler who kidnaps them to steal it. The piece, as preserved here, is largely a film listing: a plot synopsis, cast and runtime details, and a stream of fan reviews praising Thomas O'Malley and the jazz-playing alley cats. What makes it worth keeping is the affectionate fan response, which treats the film as a comfort watch and a cult favorite.

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The 10 Best Films for Our Current Political Moment

Armando Ianucci, creator of "Veep," drew parallels between Biden's delayed exit from the race and the final voting scene in his film "The Death of Stalin," where characters fear being the first to act against the prevailing order. The piece uses this moment to argue that art inadvertently captures political dynamics we struggle to acknowledge in reality, then expands into a list of ten films—from "Mr. Smith Goes to Washington" to "Lincoln"—that offer deeper insights into contemporary political issues than simple sitcom comparisons can provide.

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Quentin Tarantino’s Favorite Movies: 65 Films the Director Wants You to See

Quentin Tarantino's cinematic tastes span from canonical classics to overlooked gems and mainstream blockbusters, reflecting his encyclopedic knowledge of film history developed during his video store years. His preferences reveal consistent interests in stylistic audacity, practical action sequences, complex character development, and genre-bending narratives—from spaghetti Westerns and exploitation films to screwball comedies and martial arts movies. The article catalogs 64 of Tarantino's favorite films across decades and countries, demonstrating how his admiration for directors like Brian De Palma, Pedro Almodóvar, and Bong Joon-ho has directly influenced his own directorial approach and filmmaking philosophy.

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5 Years Later, These Are the 10 Best Movies of 2021

A retrospective ranking of 2021's best films five years on, arguing that despite the pandemic's disruption of release patterns and awards attention, that year quietly produced an unusually deep field of enduring work. It runs from Joel Coen's The Tragedy of Macbeth and Villeneuve's Dune down through overlooked gems like Mass and Judas and the Black Messiah, landing on The Worst Person in the World at number one as proof of cinema's growing embrace of international, formally adventurous storytelling. Worth keeping as a corrective list-style piece that pushes back against films (like Licorice Pizza or West Side Story) getting overshadowed by their directors' bigger later hits or box-office flops.

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The 10 Most Timeless Classic Film Noir Movies, Ranked

I don't have an article to summarize. The content you've provided appears to be a webpage from Collider featuring a ranked list of classic film noir movies, with detailed descriptions of ten films from *The Killing* (ranked 10th) down to *Sunset Boulevard* (ranked 1st). If you'd like me to summarize a specific article or piece of writing, please share the actual text or content you'd like me to condense.

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10 Most Moving Sci-Fi Movies, Ranked

A Collider countdown ranks the ten most emotionally affecting sci-fi films ever made, arguing that the genre's real power lies not in spectacle but in intimate human stakes—grief, memory, love, and mortality. It moves from animated tearjerkers like WALL-E and quiet meditations like After Yang and Solaris through romance-tech hybrids like Her and Eternal Sunshine, landing on Arrival and Interstellar as the pinnacle examples of cerebral, heart-wrenching storytelling. The throughline is that the best sci-fi uses cosmic scale to sharpen, not dilute, deeply personal emotional truths.

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The 50 best movies of all time list, according to critic reviews: Metacritic

This is Metacritic's ranked list of the 50 most critically acclaimed films of all time, based on composite critical reception scores. The ranking spans from classic Hollywood and silent films through contemporary Oscar winners, with *The Godfather* topping the list at a perfect 100/100 critical score, followed by *Citizen Kane* and *Rear Window*. The piece demonstrates how critical consensus values both timeless masterpieces and recent achievements, with notable directors like Hitchcock heavily represented across the rankings.

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James Bond Movies Ranked From Worst To Best

This ranking aggregates critical and audience scores from Rotten Tomatoes, Metacritic, and IMDb (combined out of 300) to determine the best and worst Bond films. Goldfinger emerges at the top with 261 points, while The Man With the Golden Gun ranks lowest at 149, with classic Connery films and recent Daniel Craig entries generally scoring higher than Roger Moore's 1980s outings. The list reveals that critical consensus tends to favor Bond films from the 1960s and recent reboots over the middling reviews given to many films from the franchise's middle decades.

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Best James Bond Movies of All Time, Ranked | Men's Journal

This article ranks all 25 James Bond films from worst to best, beginning with Timothy Dalton's *The Living Daylights* and culminating in Sean Connery's *Thunderball*. Each entry includes a brief assessment of the film's strengths and weaknesses, behind-the-scenes trivia, and memorable quotes, spanning from the franchise's 1962 debut through Daniel Craig's 2015 *Spectre*. The rankings reflect both critical perspective and the evolution of Bond's character across different actors and eras, acknowledging shifts in tone from campy to gritty to the influence of competing spy franchises like the Bourne series.

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