John Cox

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www.indiewire.com

Quentin Tarantino’s Favorite Movies: 65 Films the Director Wants You to See

Quentin Tarantino's cinematic tastes span from canonical classics to overlooked gems and mainstream blockbusters, reflecting his encyclopedic knowledge of film history developed during his video store years. His preferences reveal consistent interests in stylistic audacity, practical action sequences, complex character development, and genre-bending narratives—from spaghetti Westerns and exploitation films to screwball comedies and martial arts movies. The article catalogs 64 of Tarantino's favorite films across decades and countries, demonstrating how his admiration for directors like Brian De Palma, Pedro Almodóvar, and Bong Joon-ho has directly influenced his own directorial approach and filmmaking philosophy.

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movieweb.com

The Best Revenge Westerns of All Time, Ranked

A MovieWeb ranked list counting down ten essential revenge westerns, arguing that vengeance-driven plots showcase the genre's best qualities—complex antiheroes, moral ambiguity, and violent reckonings. It moves from Netflix's The Harder They Fall and Tarantino's Django Unchained and The Hateful Eight through Eastwood classics like Unforgiven and The Outlaw Josey Wales, topping the list with Sergio Leone's Once Upon a Time in the West and The Good, the Bad and the Ugly. Worth keeping mainly as a quick watchlist/reference for standout entries in the revenge-western subgenre across decades and styles.

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kottke.org

Tarantino’s Fan Fiction: Once Upon a Time in Hollywood

Kirby Ferguson's video essay traces how Tarantino's signature remix technique evolved past overt film-quoting (à la Kill Bill) into something subtler in Once Upon a Time in Hollywood, where he remixes real historical events, figures, and Hollywood lore rather than other movies' footage. The argument is that the copying habit never stopped—only the source material shifted from cinema to reality itself. Worth keeping for the reframing of Tarantino's "originality" as a continuation, not abandonment, of his remix ethos.

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