The article traces how the modern [[Marathon]] was invented for the revived [[Olympic Games]] in the late nineteenth century, driven less by sport than by a Hellenizing cultural moment that fused archaeology, nationalism, and spectacle. It shows how nineteenth-century organizers such as [[Pierre de Coubertin]] and popularizers of classical legend transformed disparate ancient reports—Herodotus’s account of a run to Sparta and later writers’ tale of a post-battle messenger at the [[Battle of Marathon]] often named [[Pheidippides]]—into a single, evocative origin story. The piece follows the first Olympic marathon winner, [[Spyridon Louis]], the codification of the modern 26.2-mile distance, and the role of excavations at [[Olympia]] in reviving ancient models, arguing that history, myth, poetry, and modern needs together produced the race we know today.
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marathonarchaeology
★★ · rewatch · watched 24 Jan 2021
The Aristocats was the final movie that Walt Disney greenlit prior to his passing. It has the same problem as most of the animated Disney movies from this era, it lacked a great story and memorable characters. Like many of the Disney movies of the time, it also lacked a bit of cultural sensitivity that makes it a bit of a tough watch 50 years later. While it isn’t Song of the South bad, it does have some moments that don’t play well today.
The movie clocks in at 1:18 minutes according to IMDB, and I have to say I felt every minute of this movie. The animation was OK, and there were a couple of scenes that were better than others but overall, it was generally bland. I do appreciate the Parisian styles of the backgrounds, and those did add to the mood. “Everyone Wants to Be a Cat” was the catchy song from the movie which is replaying through my brain as I write.
I wish there was more to this movie. I probably watched it in my youth, but I honestly don’t remember anything about it. I remember many cartoons from that time, but not a single scene from this watch was familiar. My guess is if I watched it again in a year from now, I’d wouldn’t remember much more than the train scene. It was lazy animation, lazy writing, and lazy performances.
There was a moment on the train tracks where the animation made the sparks from the train to look like blood. It was a little bit disturbing when taken out of context, but I thought to myself, “at least this is getting interesting”.
Obviously, there are some less than sensitive moments in the movie. That said, it seemed like they went out of the way to get a dig in for every culture. They represented most in the “Everyone Wants to be a Cat” montage, but a couple of scenes later there was a “WigWam” reference out of the blue. What was that about?
It was pointed out from the person I watched with that the mouse from this movie looks exactly like the mouse in “The Rescuers”. I know it isn’t a sequel, but Disney really didn’t put forth much of an effort to be creative for a while. I have the greatest respect for the work it takes for a release, but… oof.
Your review on Letterboxd: https://boxd.it/1CdbbZ